/page/2
givemeinternet:

The closer to the end the more satisfying it gets…

givemeinternet:

The closer to the end the more satisfying it gets…

(via kyoutaro-hayashiman)

micaceous:

The Sensualist (Ihara Saikaku Koushoku Ichidai Otoko), Yukio Abe, 1991

micaceous:

The Sensualist (Ihara Saikaku Koushoku Ichidai Otoko), Yukio Abe, 1991

(via eupheme)

gurafiku:

Japanese Poster: Kappo Maekawa: Japanese Gourmet Event. Keisuke Maekawa. 2013

gurafiku:

Japanese Poster: Kappo Maekawa: Japanese Gourmet Event. Keisuke Maekawa. 2013

gurafiku:

Japanese Exhibition Poster: Gyu and Chu: Ushio Shinohara and Chu Enoki. UMA / design farm. 2007

gurafiku:

Japanese Exhibition Poster: Gyu and Chu: Ushio Shinohara and Chu Enoki. UMA / design farm. 2007

arpeggia:

Ray K. Metzker - Philadelphia, 1962-1963

(via arpeggia)

maddled:

snowce:

Egon Schiele, Liebende [Lovers], c.1909

ain’t much changed since 1909

maddled:

snowce:

Egon Schiele, Liebende [Lovers], c.1909

ain’t much changed since 1909

(Source: blastedheath, via blue-voids)


Reflections, 1999/2000 by Ann Hamilton

Reflections, 1999/2000 by Ann Hamilton

(Source: voltra, via blue-voids)

gurafiku:

Japanese Poster: Pottery and Life. Ryotaro Sasame / Sprout. 2013

gurafiku:

Japanese Poster: Pottery and Life. Ryotaro Sasame / Sprout. 2013

(via howtogoo)

jesuisperdu:

mentaltimetraveller:

Gedi Sibony  @ Greene Naftali Gallery

some unfocused gesturing going down, but i love the source material

jesuisperdu:

mentaltimetraveller:

Gedi Sibony  @ Greene Naftali Gallery

some unfocused gesturing going down, but i love the source material

a-new-kind-of-barometer:

Sally Mann

“Few photographers of any time or place have matched Sally Mann’s steadiness of simple eyesight, her serene technical brilliance, and the clearly communicated eloquence she derives from her subjects, human and otherwise – subjects observed with an ardor that is all but indistinguishable from love.”
– Reynolds Price, TIME

(via blas-femme)

carlsmith29:

irs painting form 19 24x20” acrylic/mrker on canvas

carlsmith29:

irs painting form 19 24x20” acrylic/mrker on canvas

(via jesuisperdu)

givemeinternet:

The closer to the end the more satisfying it gets…

givemeinternet:

The closer to the end the more satisfying it gets…

(via kyoutaro-hayashiman)

micaceous:

The Sensualist (Ihara Saikaku Koushoku Ichidai Otoko), Yukio Abe, 1991

micaceous:

The Sensualist (Ihara Saikaku Koushoku Ichidai Otoko), Yukio Abe, 1991

(via eupheme)

gurafiku:

Japanese Poster: Kappo Maekawa: Japanese Gourmet Event. Keisuke Maekawa. 2013

gurafiku:

Japanese Poster: Kappo Maekawa: Japanese Gourmet Event. Keisuke Maekawa. 2013

gurafiku:

Japanese Exhibition Poster: Gyu and Chu: Ushio Shinohara and Chu Enoki. UMA / design farm. 2007

gurafiku:

Japanese Exhibition Poster: Gyu and Chu: Ushio Shinohara and Chu Enoki. UMA / design farm. 2007

arpeggia:

Ray K. Metzker - Philadelphia, 1962-1963

(via arpeggia)

maddled:

snowce:

Egon Schiele, Liebende [Lovers], c.1909

ain’t much changed since 1909

maddled:

snowce:

Egon Schiele, Liebende [Lovers], c.1909

ain’t much changed since 1909

(Source: blastedheath, via blue-voids)


Reflections, 1999/2000 by Ann Hamilton

Reflections, 1999/2000 by Ann Hamilton

(Source: voltra, via blue-voids)

falsefriends:

Walter Dahn

falsefriends:

Walter Dahn

(Source: rahm-bow, via blue-voids)

gurafiku:

Japanese Poster: Pottery and Life. Ryotaro Sasame / Sprout. 2013

gurafiku:

Japanese Poster: Pottery and Life. Ryotaro Sasame / Sprout. 2013

(via howtogoo)

(Source: ystrangjero, via howtogoo)

jesuisperdu:

mentaltimetraveller:

Gedi Sibony  @ Greene Naftali Gallery

some unfocused gesturing going down, but i love the source material

jesuisperdu:

mentaltimetraveller:

Gedi Sibony  @ Greene Naftali Gallery

some unfocused gesturing going down, but i love the source material

a-new-kind-of-barometer:

Sally Mann

“Few photographers of any time or place have matched Sally Mann’s steadiness of simple eyesight, her serene technical brilliance, and the clearly communicated eloquence she derives from her subjects, human and otherwise – subjects observed with an ardor that is all but indistinguishable from love.”
– Reynolds Price, TIME

(via blas-femme)

carlsmith29:

irs painting form 19 24x20” acrylic/mrker on canvas

carlsmith29:

irs painting form 19 24x20” acrylic/mrker on canvas

(via jesuisperdu)

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